Music is a prerogative of those who are willing to spend time to study it, understand and love it, well aware of the fact that one life is not enough to improve just one single note of what has already been written and performed.

I'm most impressed by the Russian writers, so I love reading the works of Tolstoy and Dostoyevsky. Another author who has informed the way I think is the French philosopher, Blaise Pascal.

I like to windsurf and ski, and most of all I love to ride horses. The wilder and faster the better! If I'm presented with a fast horse or a fast boat, I still get that shiver of excitement and I cannot resist. Luckily I never seem to have any accidents, and thank God for that.

In preparing my thesis, I have had the pleasure of collecting testimonies from colleagues such as Placido Domingo but also from singing teachers and musicologists. The entire course of study has confirmed what I already thought, that the value and meaning of opera singing, at the beginning of the third millennium, remain intact.

I change the language with which I use my voice. In opera, I know I have an orchestra behind me; I have to communicate to people very far from me.

When you sing opera you are very far from the people, you are onstage, and between you and the people there is the orchestra. So you have to launch your emotions very, very far. When you sing pop, you are singing very close - the microphone is very close to your mouth. You can whisper your emotions into the microphone.

I live for my children, so my number one rule is I won't go away from home for more than two weeks.