Monroe, the consummate sexual doll, is empowered to act but afraid to act, perhaps because no amount of acting, however inspired,can convince the actor herself that her ideal female life is not a dreadful form of dying.
Andrea Dworkin...In every realm of male expression and action, violence is experienced and articulated as love and freedom.
Andrea DworkinThe fact that we are all trained to be mothers from infancy on means that we are all trained to devote our lives to men, whether they are our sons or not; that we are all trained to force other women to exemplify the lack of qualities which characterizes the cultural construct of femininity.
Andrea Dworkin