I don’t believe rape is inevitable or natural. If I did, I would have no reason to be here. If I did, my political practice would be different than it is. Have you ever wondered why we [women] are not just in armed combat against you? It’s not because there’s a shortage of kitchen knives in this country. It is because we believe in your humanity, against all the evidence.

As I see it, our revolutionary task is to destroy phallic identity in men and masochistic non-identity in women--that is, to destroy the polar realities of men and women as we now know them so that this division of human flesh into two camps--one an armed camp and the other a concentration camp--is no longer possible. Phallic identity is real and it must be destroyed. Female masochism is real and it must be destroyed.

Being female in this world means having been robbed of the potential for human choice by men who love to hate us. One does does not make choices in freedom. Instead, one conforms in body type and behavior and values to become an object of male sexual desire, which requires an abandonment of a wide-ranging capacity for choice... Men too make choices. When will they choose not to despise us?

One of the reasons that women are kept in a state of economic degradation- because that's what it is for most women- is because that is the best way to keep women sexually available.

A man can be a hero if he is a scientist, or a soldier, or a drug addict, or a disc jockey, or a crummy mediocre politician. A man can be a hero because he suffers and despairs; or because he thinks logically and analytically; or because he is "sensitive"; or because he is cruel. Wealth establishes a man as a hero, and so does poverty. Virtually any circumstance in a man's life will make him a hero to some group of people and has a mythic rendering in the culture - in literature, art, theater, or the daily newspapers.

Monroe, the consummate sexual doll, is empowered to act but afraid to act, perhaps because no amount of acting, however inspired,can convince the actor herself that her ideal female life is not a dreadful form of dying.

...In every realm of male expression and action, violence is experienced and articulated as love and freedom.