Erotica is simply high-class pornography; better produced, better conceived, better executed, better packaged, designed for a better class of consumer.

Monroe, the consummate sexual doll, is empowered to act but afraid to act, perhaps because no amount of acting, however inspired,can convince the actor herself that her ideal female life is not a dreadful form of dying.

Male supremacy is fused into the language, so that every sentence both heralds and affirms it.

Being stigmatied by sex is being marked by its meaning in a human life of loneliness and imperfection, where some pain is indelible.

In this society, the norm of masculinity is phallic aggression. Male sexuality is, by definition, intensely and rigidly phallic. A man's identity is located in his conception of himself as the possessor of a phallus; a man's worth is located in his pride in phallic identity. The main characteristic of phallic identity is that worth is entirely contingent on the possession of a phallus. Since men have no other criteria for worth, no other notion of identity, those who do not have phalluses are not recognized as fully human.

Sex as desired by the class that dominates women is held by that class to be elemental, urgent, necessary, even if or even though it appears to require the repudiation of any claim women might have to full human standing. In the subordination of women, inequality itself is sexualized, made into the experience of sexual pleasure, essential to sexual desire.

In her heart she is a mourner for those who have not survived. In her soul she is a warrior for those who are now as she was then. In her life she is both celebrant and proof of women's capacity and will to survive, to become, to act, to change self and society. And each year she is stronger and there are more of her.