The cultural institutions which embody and enforce those interlocked aberrations-for instance, law, art, religion, nation-states, the family, tribe, or commune based on father-right-these institutions are real and they must be destroyed.

The genius of any slave system is found in the dynamics which isolate slaves from each other, obscure the reality of a common condition, and make united rebellion against the oppressor inconceivable.

A commitment to sexual equality with males is a commitment to becoming the rich instead of the poor, the rapist instead of the raped, the murderer instead of the murdered.

You think intercourse is a private act; it's not, it's a social act. Men are sexually predatory in life; and women are sexually manipulative. When two individuals come together and leave their gender outside the bedroom door, then they make love.

Men know everything - all of them - all the time - no matter how stupid or inexperienced or arrogant or ignorant they are.

Feminist art is not some tiny creek running off the great river of real art. It is not some crack in an otherwise flawless stone. It is, quite spectacularly I think, art which is not based on the subjugation of one half of the species. It is art which will take the great human themes -love, death, heroism, suffering, history itself -and render them fully human. It may also, though perhaps our imaginations are so mutilated now that we are incapable even of the ambition, introduce a new theme, one as great and as rich as those others -should we call it joy?

The common erotic project of destroying women makes it possible for men to unite into a brotherhood; this project is the only firm and trustworthy groundwork for cooperation among males and all male bonding is based on it.