I've always thrown like a girl.

Politically, I thought [Margaret Thatcher] stank. I think she had a real fight on her hands to get where she got, but I don't believe that her conviction was for the greater good.

I've always thrown like a girl.

I've never had my own accent in a film. It's something I schedule into my preparation. That's one of my favorite things, hearing all the voices.

In my case, when you dive into a role, to do well and for you to do well in it, you have to put an enormous amount of faith in the director. But you also have to decide you're so interested in the material, this director, his work, and his process, that you don't care about the outcome.

You're miscarrying a baby first thing in the morning. Who wants to hear it? God bless them. It's a very strange life. I love the company of actors, but the crazier it gets, the more I've come to realise how valuable my time is with my friends who work on the land or are builders or, you know, make music. Work in offices. Run shops.

A lot of films that have been adapted from books stop serving you because they become different. I mean, they are different entities in themselves, but artistically, what you're trying to achieve with a film is so very different to what you're trying to achieve with a book, and the way when you write a script is so very different on paper to how it seems on a screen.