Above all, I feel that the sounds of this world are so beautiful in themselves that if only we could listen to them properly, cinema would have no need for music at all.

MANY MANAGE TO SEPARATE THEIR LIFE FROM THEIR FILMS. THEY LIVE ONE WAY AND EXPRESS OTHER IDEAS IN THEIR WORKS. THEY ARE ABLE TO SPLIT THEIR CONSCIENCE. I CAN'T. TO ME CINEMA IS NOT JUST MY JOB: IT'S MY LIFE, AND EACH FILM IS AN ACT OF MY LIFE.

Unlike all the other art forms, film is able to seize and render the passage of time, to stop it, almost to possess it in infinity. I'd say that film is the sculpting of time.

MORE CONSISTENTLY THAN EVER I WAS TRYING TO MAKE PEOPLE BELIEVE THAT CINEMA AS AN INSTRUMENT OF ART HAS ITS OWN POSSIBILITIES WHICH ARE EQUAL TO THOSE OF PROSE. I WANTED TO DEMONSTRATE HOW CINEMA IS ABLE TO OBSERVE LIFE, WITHOUT INTERFERING, CRUDELY OR OBVIOUSLY, WITH ITS CONTINUITY. FOR THAT IS WHERE I SEE THE POETIC ESSENCE OF CINEMA.

An artist cannot be partially sincere any more than art can be an approximation of beauty.

It is a mistake to talk about the artist looking for his subject. In fact, the subject grows within him like a fruit and begins to demand expression. It is like childbirth. The poet has nothing to be proud of. He is not master of the situation, but a servant. Creative work is his only possible form of existence, and his every work is like a deed he has no power to annul. For him to be aware that the sequence of such deeds is due and ripe, that it lies in the very nature of things, he has to have faith in the idea; for only faith interlocks the system of images for which read system of life.

I have to say from the outset that not all prose can be transferred to the screen.