IN THE CINEMA A DIRECTOR EXPRESSES HIS INDIVIDUALITY FIRST AND FOREMOST THROUGH HIS SENSE OF TIME, THROUGH RHYTHM. RHYTHM GIVES COLOUR TO A WORK BY DISTINGUISHABLE STYLISTIC CHARACTERISTICS. RHYTHM MUST ARISE NATURALLY IN A FILM, A FUNCTION OF THE DIRECTOR'S INNATE SENSE OF LIFE AND COMMENSURATE WITH HIS QUEST FOR TIME.

People who grow bored in their own company seem to me in danger.

History is not Time; nor is evolution. They are both consequences. Time is a state: the flame in which there lives the salamander of the human soul.

Of course life has no point. If it had, man would not be free.

It is obvious that art cannot teach anyone anything, since in four thousand years humanity has learnt nothing at all.

My encounter with another world and another culture and the beginnings of an attachment to them had set up an irritation, barely perceptible but incurable-rather like unrequited love, like a symptom of the hopelessness of trying to grasp what is boundless, or unite what cannot be joined; a reminder of how finite, how curtailed, our experience on earth must be

If we succeed with something, that is only because others are in need of what e have produced. And the more success we have with something, the more people require that we express it. So it goes without saying, as a result of this we in principle never win out, others win. We always lose