I'm from the "if it ain't broke, don't fix it" school of screenwriting. I just like to preserve what works and ignore what doesn't work.
It always surprises me in films that killers seem so gleeful about killing people.
It's a wonderful thing to go to work and have no idea what you're going to do.
Masculine ideals have become very confused in the modern world.
I like test screenings. I like to see a movie with an audience of strangers. I think it tells you a lot.
I'm sure part of the fascination with the film is voyeuristic - that we go to see somebody who's been struck by lightning.