I realized that after finding this thing that allowed me to express myself - acting - and being encouraged by a few people that I could do it, I had kind of grabbed onto it and dug in my claws in a way that was maybe a bit unhealthy. I allowed myself to get into a headspace where I lived or died by what I achieved in this particular field.

I've realised that at the top of the mountain, there's another mountain.

I'm right next to two beautiful women right now, so I'm going to sit right back down.

I do just want to be an actor. The thing I get out of it is actually doing the job and inhabiting the world and the role - and I mean that genuinely. That's what I'm in it for.

I have very strong feelings about what modern fame means, and the toxicity of it. I read Naomi Klein's No Logo when I was 15. It's one of the things that's shaped my relationship to fame - to endorsements, to selling things. I've taken a certain path in terms of all that stuff.

I think too much. Being in my body is much more satisfying than being in my head.

Obviously making Peter Parker suddenly bisexual or gay wouldn't really make logical or dramatic sense. It was a hypothetical kind of question about the nature of these comic book characters and the nature of this particular character, and whether sexuality, race, any of those things makes any difference to the character of Peter Parker.