I think it's probably, musically, probably the most sophisticated. ("The Woman in White") There's a lot more daring harmony in it than in some of my pieces... If you know what you want to do, as I always loved musicals, and then to have been lucky enough to be successful with them, I think that's all you can ask, isn't it?... Sondheim is absolutely wonderful and Alan Jay Lerner was wonderful.

Superstar was made so early in my career I had nothing to do with it at all. The first time I saw it was the opening screening.

It doesn't stand up to huge intellectual scrutiny.

Love changes everything. Days are longer, words mean more. Love changes everything. Pain is deeper than before. Love can turn your world around, and that world will last forever.

Corny answer is of course is that everyone who wants musicals are children in different ways, aren't they? So you think of them in different ways. There are things of mine I'm sorry haven't come here.

The regrets in the theatre have always been the shows that you know ought to have worked but for one reason or another haven't.

I would have gone right ahead but the only thing, the only phenomenon that's going on now of course, which is different in my experiences, is that you are getting things planted in the Net by people about the Woman in White on the Net. That's not a nice change.