Writing a novel is an act of self-annihilation as much as self-discovery. You can kill whole appetites and flood whole depths while plumbing them, but if you are serious about it you also get to put something into the world that wasn't quite there before.

Always trust strangers, it's the people you know that let you down.

Writing a novel is an act of self-annihilation as much as self-discovery. You can kill whole appetites and flood whole depths while plumbing them, but if you are serious about it you also get to put something into the world that wasn't quite there before.

Once upon a time, I thought that politics was the name we gave to our higher instincts. That was before Margaret Thatcher, who came to power when I was 11 years old.

I grew up in a working-class community. I come from a big family. I knew Donald Trump would win because I knew he is what poor Americans think a rich person looks like. And I knew that Hillary Clinton would annoy voters in their tens of millions, because she basically sucked at communicating with poor people and seemed like a person who'd been powerful and rich for decades. She was a disastrous candidate. I mean, she was up against a psychopath and she still lost. The country's thinking was beyond her, literally.

It was beguiling to live in a country, Scotland, that didn't look enough like itself to be a location for its own movies... I remember consulting a film book and discovering that Arthur Freed decided to shoot Brigadoon in Hollywood because nowhere in Scotland looked Scottish enough.

The working class of England take their deracination completely for granted. Disenchantment is the happy code that informs every byway of the underclass: service jobs, celebrity dreams, Lotto wins, leisured poverty on pre-crunch credit cards, it's all there, part of the story of an English people whose grandparents never had it so good.