As a kid, I was fortunate that we grew up near a children's theater, with all different classes and things; so as a kid I took classes there and as I got into high school I did all the community theater stuff. Then I came to college here in New York, going to Marymount Manhattan, and studied acting there. But most of the training I got was from working. Working with really great people.

At a very early age I knew I wanted to be an actor and then more specifically that I wanted to be on Broadway and be in musicals.

If you get into multicultural sort of casting for no other reason than to diversify, then it seems false.

Always my fallback is - I'm gonna move to a poor town and open a scone shop... Sometimes after some bad auditions I think, you know what - time to open that scone shop! Let's start baking.

So much of being an actor is trying to force yourself into these roles and sometimes it's a good fit, and sometimes it's not a good fit... you have to get clear about what it is that you do and not try to be a bunch of other people. Not try to be that guy or try to play that part; find the roles that you do well.

When I talk to Ryan Murphy or Ali Adler about my past or things in my personal life, occasionally pieces of that will end up in the script, and I think that's true of everybody. It's true of that entire writer's room, certainly of Ryan and Ali. I think that he writes really well for actors, for his actors, and he writes to their strengths. I always feel very well taken care of with him.

I figure, oftentimes the best way in is through humor, and you can deal with serious situations a lot easier, or at least bring up the conversation.