I never argue with people about movies.

It is cynicism, and not idealism, that is generally the mark of youthful immaturity, or rather it is the cynic who is generally the most foolish romantic.

Lemon Tree is well worth seeing as a first-class artistic achievement bridging two civilizations.

I'm afraid you can't create tragedy out of abnormal psychology.

I hate to go out on a limb after only one viewing, but Nashville strikes me as Altman's best film, and the most exciting dramatic musical since Blue Angel.

There's a part of me that looks beyond everything now.

The emotional elevation of the film is due in no small measure to the extraordinarily engaging performances of Anne Bancroft as the wife-mother-mistress, Dustin Hoffman as the lumbering Lancelot, and Katherine Ross as his fair Elaine.