The Window is not without a certain visual spell that makes it a first-rate artistic achievement.

I hate to go out on a limb after only one viewing, but Nashville strikes me as Altman's best film, and the most exciting dramatic musical since Blue Angel.

Hitchcock is the most-daring avant-garde film-maker in America today.

Lola Montes is, in my unhumble opinion, the greatest film of all time, and I am willing to stake my critical reputation, such as it is, on this one proposition above all others.

The Window is not without a certain visual spell that makes it a first-rate artistic achievement.

Lemon Tree is well worth seeing as a first-class artistic achievement bridging two civilizations.

The emotional elevation of the film is due in no small measure to the extraordinarily engaging performances of Anne Bancroft as the wife-mother-mistress, Dustin Hoffman as the lumbering Lancelot, and Katherine Ross as his fair Elaine.