The Window is not without a certain visual spell that makes it a first-rate artistic achievement.

It is cynicism, and not idealism, that is generally the mark of youthful immaturity, or rather it is the cynic who is generally the most foolish romantic.

I've always said to people that auteurism is nice, but it's hypothetical, and gradually you learn how much or how little influence different directors had.

I'm afraid you can't create tragedy out of abnormal psychology.

Tokyo Sonata speaks to us, with feeling and passion, as one of the most eloquent statements on the world today that we are likely to see in this moviegoing year.

Lemon Tree is well worth seeing as a first-class artistic achievement bridging two civilizations.

The Window is not without a certain visual spell that makes it a first-rate artistic achievement.