Every organization does good and bad things.

Philip Galanes has fashioned a novel both bleak and funny about a young man's struggle to sort out his troubled love: the too-strong love for his mother, the too-weak love for his suicidal father, and the all-consuming love of anonymous sexual encounters. Pointed and acute, this story tells of the narrator's many betrayals of others and their many betrayals of him. It exists in an uncomfortable moral space where the humor of terrible things sometimes outweighs, but never obscures, their poignancy.

Depression is the flaw in love. There's no such thing as love without the anticipation of loss. And that specter of despair can be the engine of intimacy.

I found myself losing interest in almost everything, I didn't want to do any of the things I had previously wanted to do and I didn't know why. Everything there was to do seemed like too much work. The opposite of depression is not happiness, but vitality, and it was vitality that seemed to seep away from me in that moment.

If some glorious angel suddenly descended through my living room ceiling and offered to take away the children I have and give me other, better children — more polite, funnier, nicer, smarter — I would cling to the children I have and pray away that atrocious spectacle.

I tend to find the ecstasy hidden in ordinary joys, because I did not expect those joys to be ordinary to me.

Grief is depression in proportion to circumstance; depression is grief out of proportion to circumstance. It is tumbleweed distress that thrives on thin air, growing despite its detachment from the nourishing earth. It can be described only in metaphor and allegory