I've always felt you unearth story, like you're on an archeological dig.

I almost feel like it's an obligation to not further the status quo if you become somebody with influence and exposure.

There's always one sequence in every animated film that's the bane of every animator's existence.

Most people know me at Pixar as the guy that doesn't like to do sequels or very reluctant to do sequels.

Well, executive producer can mean anything in the world of Hollywood, sadly. It can be a bought title in many instances.

There's nothing that you like in this world that wasn't influenced by a bunch of key things; nothing came completely clean out of a vacuum.

I had never touched a computer in my life before I came to Pixar.