I search for the realness, the real feeling of a subject, all the texture around it... I always want to see the third dimension of something... I want to come alive with the object.

I do an awful lot of thinking and dreaming about things in the past and the future - the timelessness of the rocks and the hills - all the people who have existed there.

It's all in how you arrange the thing... the careful balance of the design is the motion.

I wanted to get it all down, maybe out of my system. I wanted to be able to say, Everything's possible-if you believe and can get excited.

If it [talent] isn’t strong enough to take the gaff of real training, then it’s not worth much.

I think a person permeates a spot, and a lost presence makes the environment timeless to me, keeps an area alive. It pulsates because of that.

Don't overdo it, don't underdo it. Do it just on the line.