I think you have to use your eyes as well as your emotion, and one without the other just doesn't work

I think one's art goes as far and as deep as one's love goes.

My struggle is to preserve that abstract flash - like something you caught out of the corner of your eye, but in the picture you can look at it directly.

To be interested solely in technique would be a very superficial thing to me.

It's all in how you arrange the thing... the careful balance of the design is the motion.

I do an awful lot of thinking and dreaming about things in the past and the future - the timelessness of the rocks and the hills - all the people who have existed there.

I prefer winter and fall, when you feel the bone structure of the landscape. Something waits beneath it; the whole story doesn't show.