It's a moment that I'm after, a fleeting moment, but not a frozen moment.

I don't really have studios. I wander around - around people's attics, out in fields, in cellars, anyplace I find that invites me.

I think a person permeates a spot, and a lost presence makes the environment timeless to me, keeps an area alive. It pulsates because of that.

I am not a juicy painter.

My aim is to escape from the medium with which I work.

To have all your life's work and to have them along the wall, it's like walking in with no clothes on. It's terrible.

To be interested solely in technique would be a very superficial thing to me.