Observing life, living through it. As you experience life some events call upon you to suffer through them and that's what brings inspiration.

Church, the spiritual power, and the executive power are working today united in a system that confronts people. This alliance or cooperation between the spiritual power and the executive power, between the church and the government, unfortunately takes away the Church's basic mission. It takes away their right to speak on moral or ethical subjects.

I wouldn't say I'm fixated on describing any kind of relationship whether it is a father and a son, or a family. I don't like it when people say that I'm particularly following the same line or that I'm only interested in family dramas. I'm interested in human relationships. The most intimate, the most delicate, and the most intriguing relationships are those within a family.

Film entertains with different angles, quick moves, like a commercial. But filmmakers like [Wim] Wenders allow themselves to observe a subject for a long time without changing an angle, and allow you to do that along with them.

I knew, starting in 10th grade, I wanted to be in theater and an actor. I went to acting school in Siberia, but there was no future there - and I was consumed with ambition.

When an actor comes to you and starts working with the script, the image of his character that you had in your mind gets substituted with an image of that particular actor. And this is the right way to go. An actor has to be absolutely truthful - this is the only thing required of him, apart from talent of course. It's very easy to understand: you need to absolutely believe in what you see.

When I was shooting the film I did not see the story as an everyday tale or a social one. To a great extent, the film is a mythological look on human life. This is probably what I would like the audience to keep in mind before they enter the screening room.