Church, the spiritual power, and the executive power are working today united in a system that confronts people. This alliance or cooperation between the spiritual power and the executive power, between the church and the government, unfortunately takes away the Church's basic mission. It takes away their right to speak on moral or ethical subjects.

Some actors come to casting and ask me, "Didn't you see my previous roles?" We do not work with actors like this. Their previous roles do not matter; I need the actual work with an actor in this particular character that has been written in our script. What matters is flexibility, believability and efficiency of an actor.

Church, the spiritual power, and the executive power are working today united in a system that confronts people. This alliance or cooperation between the spiritual power and the executive power, between the church and the government, unfortunately takes away the Church's basic mission. It takes away their right to speak on moral or ethical subjects.

The most important thing for me is the image, not the thought.

There are things which are without answers, and there is nobody who can explain them. Either we feel them and sense them, or not. Sometimes we just give up and carry on.

When I was shooting the film I did not see the story as an everyday tale or a social one. To a great extent, the film is a mythological look on human life. This is probably what I would like the audience to keep in mind before they enter the screening room.

When an actor comes to you and starts working with the script, the image of his character that you had in your mind gets substituted with an image of that particular actor. And this is the right way to go. An actor has to be absolutely truthful - this is the only thing required of him, apart from talent of course. It's very easy to understand: you need to absolutely believe in what you see.