As I said earlier, there are no writers who could create a literary vision of the new reality.

At the same time, television theatre became more visibly active.

It was progressively more difficult to find work in the theatre, as well.

There is no filmmaking legislation because distributors are not interested in sharing their money with the film industry - for instance, by giving a percentage of ticket sales back to filmmakers.

On the one hand, young theatre directors were coming to television theatre, because they wanted to get closer to the cinema, despite having studied and worked for the theatre.

In the first years after the systemic transition, our screens showed American entertainment that had not been available before, or had been available only sporadically.

Television theatre, as is implied in its name, should rely on adaptations of scripts written for the theatre.