I write and rewrite and memorize, and then inject my performance with improvising and spontaneity, because if something feels too rehearsed, it's not going to be fun.

I am, like anybody else, full of contradictions and personality traits, and I don't know which ones to speak from as a stand-up or what aspects of myself to ask an audience to identify with.

It's fun to play someone who seems evil and to reveal their vulnerabilities.

When you're coming up with your philosophy and approach to performing comedy, you take special note of the things you disagree with as much as the things you agree with.

I probably have the most fun on projects where there's some room to improvise.

I write and rewrite and memorize, and then inject my performance with improvising and spontaneity, because if something feels too rehearsed, it's not going to be fun.

I like it when shows end intentionally, and Review, especially, has such a long form narrative that it feels like you need to give it a thoughtfully constructed finale.