I'm not hooked on cognac, but I've enjoyed it over the years.

I love doing voice-overs; I wish I could do more of them. It's a lot of fun to see how they take the voice and animate it and try to capture your own expressions and features. It's fascinating.

I knew a gentleman that I had worked with over the years, who is no longer with us, and was a great influence in my life named Cachao - a Cuban musician, composer, arranger, and creator of the Mambo. The integrity of the journey is what's important - how you conduct yourself in the process. That's what Cachao was always about. He had great integrity, great dignity, was very humble, and dedicated to his art.

I listen to and I play all kinds of music, and I'm interested in jazz and in bluegrass - I like it all - but Cuban music speaks to me in a certain way.

I started in comedy when I first started as an actor on stage and doing improvisational theater and stuff like that. So a lot of people who know me know that sort of side of me. But I got the roles that I got as an young actor kind of steered me in a different direction, which were, at times, darker characters. And so comedy was not something that came easy for people to think of my in those terms.

Martell Cognac approached me to make a film for them that represented the spirit of John Martell and what he stood for as a person and as a visionary - the qualities that they felt were linked to the brand because of John Martell himself. The creation of the cognac had an impact on the world. That's what Martell Cognac would like to promote: people that can inspire other kids and generations. They have a saying: "It's not what you achieve, it's how you achieve it."

I'm a fan of Ernest Hemingway work and specifically The Old Man and the Sea. I researched the relationship he had with the captain of his boat for 20 years, Gregorio Fuentes, and that inspired me to write a screenplay about it.