My grandfather was a very elegant individual. My father also. He was a lawyer and farmer in Cuba. In Miami, he had to go to work wherever he could. But whenever it was time to go out, you saw how they cared for how they looked.

I knew a gentleman that I had worked with over the years, who is no longer with us, and was a great influence in my life named Cachao - a Cuban musician, composer, arranger, and creator of the Mambo. The integrity of the journey is what's important - how you conduct yourself in the process. That's what Cachao was always about. He had great integrity, great dignity, was very humble, and dedicated to his art.

I'm not trying to convince anybody of anything. I just want (the audience) to have an experience that moves them.

I don't control the movies that are offered to me, but I make choices based on certain parameters.

I think it's most important for children to understand the concept of respect and manners and also work ethic. I have a responsibility to those who came before me.

I'm a fan of Ernest Hemingway work and specifically The Old Man and the Sea. I researched the relationship he had with the captain of his boat for 20 years, Gregorio Fuentes, and that inspired me to write a screenplay about it.

Martell Cognac approached me to make a film for them that represented the spirit of John Martell and what he stood for as a person and as a visionary - the qualities that they felt were linked to the brand because of John Martell himself. The creation of the cognac had an impact on the world. That's what Martell Cognac would like to promote: people that can inspire other kids and generations. They have a saying: "It's not what you achieve, it's how you achieve it."