I think that any sculpture is a response to its environment. It can be brought to life or put to sleep by the environment.

Occasionally I have come across a last patch of snow on top of a mountain in late May or June. There's something very powerful about finding snow in summer.

Ephemeral work made outside, for and about a day, lies at the core of my art and its making must be kept private.

I'm not a performer, in that I don't like the public, but I work in that respect.

I am not a performer but occasionally I deliberately work in a public context. Some sculptures need the movement of people around them to work.

Everything has the energy of its making inside it.

When I do the permanent projects or the big projects, when a work is finished, that's the beginning of its life.