I have worked with this red all over the world - in Japan, California, France, Britain, Australia - a vein running round the earth. It has taught me about the flow, energy and life that connects one place with another.

I take the opportunity each day offers.

The early firings contained many stones.

I go way beyond just the wood and stone but to the process of growth and farming and the tensions between the two.

If you repeat something, it can become pointless. Some things can repeat and be endlessly fascinating.

When I’m working with materials it’s not just the leaf or the stone, it’s the processes that are behind them that are important. That’s what I’m trying to understand, not a single isolated object but nature as a whole.

My art is an attempt to reach beyond the surface appearance. I want to see growth in wood, time in stone, nature in a city, and I do not mean its parks but a deeper understanding that a city is nature too-the ground upon which it is built, the stone with which it is made.