Not being able to touch is sometimes as interesting as being able to touch.

It's frightening and unnerving to watch a stone melt.

I go way beyond just the wood and stone but to the process of growth and farming and the tensions between the two.

Complete control can be the death of a work.

The main reason I went to digital was because I got time-lapse, video, and still images all in one camera. Having a minimal amount of gear is really important for someone who wants to walk around. That allowed me to have this flexibility to document things in different ways.

Time gives growth, it gives continuity and it gives change. And in the case of some sculptures, time gives a patina to them.

Once the fired stone is out of the kiln, it is still possible to mentally reconstruct it in its original form.