There are occasions when I have moved boulders, but I'm reluctant to, especially ones that have been rooted in a place for many years.

The photography is not the aim of the work; the articulation of the work through photography is another way of understanding what's going on and what's happening outside.

Some of the snowballs have a kind of animal energy. Not just because of the materials inside them, but in the way that they appear caged, captured.

The hardened mass of liquid stones had much stronger qualities than those which had simply torn. The skin remained a recognisable part of the molten stone.

I think that I'm always trying to get beyond the surface appearance of things, to go beyond what I can just see.

I did tests on small stones before collecting and committing myself to the larger ones.

Design implies a sense of mapping something out and then you follow the plan.