It's frightening and unnerving to watch a stone melt.
I enjoy working in a quiet and subversive way.
Even in winter an isolated patch of snow has a special quality.
Not being able to touch is sometimes as interesting as being able to touch.
I'm cautious about using fire. It can become theatrical. I am interested in the heat, not the flames.
My art is an attempt to reach beyond the surface appearance. I want to see growth in wood, time in stone, nature in a city, and I do not mean its parks but a deeper understanding that a city is nature too-the ground upon which it is built, the stone with which it is made.