It's cool to know that you're doing something that people of all ages can watch and enjoy, even though my bread and butter is a little dirtier. It's cool to just be involved in something that's that big and joyous and meant to make people feel happy.

Part of why I think I have so much fun working in the mockumentary genre is that you can cut to pretty much anything at any time. People are now so conditioned to watch documentaries - they know how they operate, and that you can introduce a new character by cutting to them, and now they're in it. Similarly, being able to treat a sidebar idea that has nothing to do with your main story really seriously, the way the rest of it is being treated - all the pomp and circumstances lend themselves, I feel, to making comedy feel really earned and funnier and weirder.

It's cool to know that you're doing something that people of all ages can watch and enjoy, even though my bread and butter is a little dirtier. It's cool to just be involved in something that's that big and joyous and meant to make people feel happy.

A sign now of success with a certain audience when you do a short comedy piece, anywhere, is that it gets on YouTube and gets around. It's always something you're thinking about unconsciously.

If you're someone who's making film or TV or music, or any kind of art form now, there's a billion outlets and they all have an opinion.

I've always felt that if something is polarizing, that's usually the stuff I like the most. If something is taking a chance and is willing to be weird, that's my favorite thing. I know there's somebody out there who hates it.

I didn't realize how much people liked to bash SNL until I was on. I've always just liked it, and I've always watched it and been into it.