I've always felt that if something is polarizing, that's usually the stuff I like the most. If something is taking a chance and is willing to be weird, that's my favorite thing. I know there's somebody out there who hates it.

People will tell me, "Oh, my kid watches your show on their iPad, over and over again until they memorize." And I'm like, "Wow, I was that kid watching other shows. That's the coolest!"

A sign now of success with a certain audience when you do a short comedy piece, anywhere, is that it gets on YouTube and gets around. It's always something you're thinking about unconsciously.

Comedy always works better when you're tracking the story and you care about the characters. That's why there's a lot of movies where there's not a ton of jokes, but you get huge laughs because there's a moment of relief.

When you work with people and are friends with them also, you have more of a shorthand. I think people relax more and it opens the door to being less precious and trying things that, when you're shooting and writing, it becomes much more collaborative - therefore funny, hopefully.

If I was any more on edge, I'd be Bono.

If you're someone who's making film or TV or music, or any kind of art form now, there's a billion outlets and they all have an opinion.