I would like to play with electronic keyboards again.

For me, a great show is when there's a great rapport with the band and the audience, and we're all really into it. The first trick is to bring the audience into the band, break the ice, have a life, and be one, so you can enjoy the next hour and a half together.

I'm just trying to avoid any sort of generic kind of music - I don't want to do generic jazz or fusion.

You don't want to be so far off the planet that you come out with something that doesn't make sense to anybody.

Start with the titles, and then build the music that goes with them.

In The Police, in a trio situation - which I've come back to now - it's just so wide open that it does actually provide this arena where you can play with a certain freedom.

I don't have a great nostalgia for the past.