Even dramatically how you position some person, the depth, the existence [in 3D] is different than a flat image even though by itself it has depth, we create the illusion of depth. For example, some of the shots I have to stay closer to the actor because it's a young actor, I like it closer for some of the shots. I watch 2D scenes next to the camera, then when I go back to my station and watch it in 3D I have to go back and reduce his acting, he has to shrink a little bit because he peeks out more.

I think a movie is a media that is evoking feelings.

As artists, we like night more than day sometimes.

With 3D you're right there immersed in the world.

I don't think the Hulk is a superhero. He's the first Marvel character who is a tragic monster. Really an anti-hero.

The woman's perspective is like the dark side of the moon: it always exists, but it is never exposed, at least not in my culture.

There's a certain time in the core of making a movie from pre-production to halfway through post-production I don't read any project, my agent will tell people that "he's not reading." And then when I know how the movie's probably gonna work halfway into post-production, I'll come along.