If it was a choice between making movies and doing nothing, he'd probably still wish me to make movies, So he made me keep going.

Thinking back to those earlier days, I felt I was weak when I wasn't making movies, and then when I was, I thought I was weak as a family member.

I think each movie-making process is a very exhausting and satisfying and fulfilling experience for me.

When I started out, nobody gave me scripts, so I had to write...

I did a women's movie, and I'm not a woman. I did a gay movie, and I'm not gay. I learned as I went along.

My first instinct was to cast as close to the short story as possible, but then I realized that I needed actors who could go for it and that they had to function well as a couple in a love story.

Even dramatically how you position some person, the depth, the existence [in 3D] is different than a flat image even though by itself it has depth, we create the illusion of depth. For example, some of the shots I have to stay closer to the actor because it's a young actor, I like it closer for some of the shots. I watch 2D scenes next to the camera, then when I go back to my station and watch it in 3D I have to go back and reduce his acting, he has to shrink a little bit because he peeks out more.