Americans are hidden dragons to me.

I feel like all of my characters now take this congested situation, they clash, and from there you purge yourself.

I guess in Hollywood you chart your life by Oscars. You say to each other, "Remember when that movie won that year? It was 2006. Remember that?"

What is really a stretch to me is to make quick decisions.

My cultural roots are something illusive.

I don't like to deal with studios. I don't like to have conversations with executives. I pitch to the studio, then never talk to them until the test screening.

The way I go about a lovemaking scene is that we will talk about it during the rehearsing time.