For most of human history, 'literature,' both fiction and poetry, has been narrated, not written — heard, not read. So fairy tales, folk tales, stories from the oral tradition, are all of them the most vital connection we have with the imaginations of the ordinary men and women whose labor created our world.

I am entirely alone. I and my shadow fill the universe.

The lovely Hazard girls', they used to call them. Huh. Lovely is as lovely does; if they looked like what they behave like, they'd frighten little children.

If Miss means respectably unmarried, and Mrs. respectably married, then Ms. means nudge, nudge, wink, wink.

Cats of all kinds weave in and out of the text; Burroughs has clearly taken to them in a big way in his old age and seems torn between a fear they will betray him into sentimentality and a resigned acceptance that a man can't be ironic all the time.

With that, the poignant charm vanished. Inside the fifth machine, all was rampant malignity. Deformed flowers thrust monstrous horned tusks and trumpets ending in blaring teeth through the crimson walls, rending them; the ravenous garden slavered over its prey and every brick was shown in the act of falling. Amid the violence of this transformation, the oblivion of the embrace went on. The awakened girl, in all her youthful loveliness, still clasped in the arms of a lover from whom all the flesh had fallen. He was a grinning skeleton.

All artists, they say, are a little mad. This madness is, to a certain extent, a self-created myth designed to keep the generality away from the phenomenally close-knit creative community. Yet, in the world of the artists, the consciously eccentric are always respectful and admiring if those who have the courage to be genuinely a little mad.