There is a striking resemblance between the act of love and the ministrations of a torturer.

With that, the poignant charm vanished. Inside the fifth machine, all was rampant malignity. Deformed flowers thrust monstrous horned tusks and trumpets ending in blaring teeth through the crimson walls, rending them; the ravenous garden slavered over its prey and every brick was shown in the act of falling. Amid the violence of this transformation, the oblivion of the embrace went on. The awakened girl, in all her youthful loveliness, still clasped in the arms of a lover from whom all the flesh had fallen. He was a grinning skeleton.

How far does a pretence of feeling, maintained with absolute conviction, become authentic?

My mother learned that she was carrying me at about the same time the Second World War was declared; with the family talent for magic realism, she once told me she had been to the doctor's on the very day.

You were the living image of the entire Platonic shadow show, an illusion that could fill my emptiness with marvellous, imaginary things as long as, just as long as, the movie lasted, and then all would all vanish.

And, conversely, she went on to herself, sneering at the Grand Duke's palace, poverty is wasted on the poor, who never know how to make the best of things, are only the rich without money, are just as useless at looking after themselves, can't handle their cash just like the rich can't, always squandering it on bright, pretty, useless things in just the same way.

At the best of times, spring hurts depressives.