...in their millenial and long-lived patience they knew quite well how, in a hundred years, or a thousand years' time, or else, perhaps, tomorrow, in an hour's time, for it was all a gamble, a million to one chance, but all the same there was a chance that if they kept on shaking their chains, one day, some day, the clasps upon the shackles would part.

Iconic clothing has been secularized. . . . A guardsman in a dress uniform is ostensibly an icon of aggression; his coat is red as the blood he hopes to shed. Seen on a coat-hanger, with no man inside it, the uniform loses all its blustering significance and, to the innocent eye seduced by decorative colour and tactile braid, it is as abstract in symbolic information as a parasol to an Eskimo. It becomes simply magnificent.

His touch both consoles and devastates me; I feel my heart pulse, then wither, naked as a stone on the roaring mattress while the lovely, moony night slides through the window to dapple the flanks of this innocent who makes cages to keep the sweet birds in. Eat me, drink me; thirsty, cankered, goblin-ridden, I go back and back to him to have his fingers strip the tattered skin away and clothe me in his dress of water, this garment that drenches me, its slithering odour, its capacity for drowning.

Is not this world an illusion? And yet it fools everybody.

She herself is a haunted house. She does not possess herself; her ancestors sometimes come and peer out of the windows of her eyes and that is very frightening. from "The Lady of the Haunted House

He was a lovely man in many ways. But he kept on insisting on forgiving me when there was nothing to forgive.

The kind of power mothers have is enormous. Take the skyline of Istanbul - enormous breasts, pathetic little willies, a final revenge on Islam. I was so scared I had to crouch in the bottom of the boat when I saw it.