Now the Gielgud Theater is a very famous old theater, because it was originally called the Globe, and the Globe is where my mother made her very first professional appearance in London, was at the Globe Theater.

You learn the values that are inherent in the scene that the writer has written. You learn about who you as a character are in relation to those others who are working with you within that scene.

Here I am, I still go on, you know, like the tides.

Actually the years when I was playing totally un - well, they were just roles that just went by the board, you wouldn't want to know. But anyway, I'm glad I had that chance to build my craft.

Well oddly enough, I liken the years at MGM, and I was there for about eight years, to doing stock, what we used to call repertory or stock, playing a whole bunch of different roles.

Everything I did actually helped to build the revenue, shall we say, of experience, which enabled me to play a variety of roles as I got older.

I honestly feel that "Murder, She Wrote" stands alone, as many of the other great shows of the past 35, 40 years do. It stands alone, and it's still on. It's still all over the world, "Murder, She Wrote," Jessica Fletcher and "Murder, She Wrote."