I don't think about going back to the theater.

Unfortunately, because the theater is always a poor relation when it comes to making the nut, it's not easy to get the audience in to see a play, unless you have a name that is recognizable, that the audience wants to see and is prepared to pay the $125 to see.

It was an extraordinary experience to have backup singers like the Mormon Tabernacle Choir. I have never experienced anything quite like it before and I wouldn't trade it for anything in the world.

Now the Gielgud Theater is a very famous old theater, because it was originally called the Globe, and the Globe is where my mother made her very first professional appearance in London, was at the Globe Theater.

You just have to be open and ready, and let it all happen.

Clint Eastwood is an extraordinary director because he knows the value of a buck. He knows where it will show on the screen.

I'd been out of the movies for years, I had had a wonderful stage career, yes, in musicals and so on, but you don't really make any money in the theater.