I hide my emotions mainly because you don't want somebody to know that you feel sorry for them, because they will feel worse, or because you don't want someone to know or see your fear. If someone like a sick kid or a burn victim sees your fear, they respond to how you respond. And if you show them it's terrible, they will get upset. It's something I've learned over the years.

I am so in love with my brother right now!

When I get logical, and I don't trust my instincts - that's when I get in trouble.

I like to work with artists from around the world. There are so many new inspiring filmmakers. I had the privilege recently to work with Ethiopian filmmaker Zeresenay Mehari and his wife on the film Difret. They are that unique balance of very thoughtful conscious filmmakers who are also brilliant, original artists.

I learned a lot from Clint [Eastwood], who's an extremely economic director. I learned a lot from Michael Winterbottom, who really gave a lot of trust in the actors and allowed them to live in the space instead of trying to manipulate and make it too set and too staged. Working with [Robert] De Niro taught me a lot of being an actors' director and what that is. I've learned a lot from pretty much everybody. Hopefully I've picked up something from everybody I've worked with.

I'm shy to call myself a director still. When someone says, 'What do you do for a living?' I don't know if I've earned that.

The great thing about having a bunch of kids is that they just remind you that you're the person who takes them to go poop. That's who you are!