The truth is I love being alive. And I love feeling free. So if I can't have those things then I feel like a caged animal and I'd rather not be in a cage. I'd rather be dead. And it's real simple. And I think it's not that uncommon.

I notice that my characters go out to dinner and have fun and take these great trips, but I spend so much time on their lives, I don’t have much of a personal life of my own. I have to sort of remember to fill out that little notebook on me.

With my family, I'm trying to raise them to have respect for all people and make friends around the world and feel at home with the world and really live a truly global life because I think it's what forms them and it's really important to me.

I'm shy to call myself a director still. When someone says, 'What do you do for a living?' I don't know if I've earned that.

I can tell my children that they don't need to fear they will lose me to breast cancer.

First thing in the morning, we're really tired, and we look at each other and we wonder, 'Are we ever going to get sleep?' And yet, it doesn't matter if you don't get sleep. It's an honor to take care of them.

I learned a lot from Clint [Eastwood], who's an extremely economic director. I learned a lot from Michael Winterbottom, who really gave a lot of trust in the actors and allowed them to live in the space instead of trying to manipulate and make it too set and too staged. Working with [Robert] De Niro taught me a lot of being an actors' director and what that is. I've learned a lot from pretty much everybody. Hopefully I've picked up something from everybody I've worked with.