That's usually what happens with AC/DC: you make an album, and then you're on the road flat out. And the only time you ever get near a studio is generally after you've done a year of touring.

Once you're on stage you can't go back, even when things go wrong people expect you to stay there and entertain them. When all else fails, you've got to try tap dancing.

A lot of people say, 'AC/DC - that's the band with the little guy who runs around in school shorts!'

It's just rock and roll. A lot of times we get criticized for it. A lot of music papers come out with: 'When are they going to stop playing these three chords?' If you believe you shouldn't play just three chords it's pretty silly on their part. To us, the simpler a song is, the better, 'cause it's more in line with what the person on the street is.

I love the music from Nat King Cole, BB King, Albert King... When I think of it, I wouldn't mind being renamed Angus King.

With AC/DC, we've always started with rock, and we've just kept it going. The critic's view is always , 'They just made an album and it's the same as the last one.' I'll have fifteen of them, anytime.

Actually, because I'm so small, when I strike an open A chord I get physically thrown to the left, and when I play an open G chord I go right. That's how hard I play, and that's how a lot of my stage act has come about. I just go where the guitar takes me.