I've been in New York for 14 years. I would never leave for good. The city is so much more alive than so many other places, and I think it is fodder for performers. You see so much; research is thrown at you everywhere you go. There was a rat on the subway train recently - you saw the video online - that's fantastic! That's something that is so specific to this city, the way you are pushed up against humanity, and the animal kingdom, whether you want to be or not. It's a stimulating city - physically, intellectually, culturally. It never ceases to thrill me.

I think the New York theater audience is very savvy. Sometimes you get newbies who think they're going to be watching Smash onstage, and sometimes you have people who have been coming to theater for years. It's the combination of those people in an audience that makes for a pretty amazing night - their ability to give each other permission to react and enjoy, in a way that maybe they wouldn't if they weren't sitting next to each other.

The seventies was a time when a lot of people didn't tell their children they were adopted.

I have a lot of friends who are in mixed race relationships who are gay. But I think that the reason it bothers people is because there is not enough representation, even in the straight world, of people loving people who look like them.

I rock because sometimes I'm scared and that's alright. I rock because I'm not afraid to cry. I rock because I'm loved and I'm able to love. I rock...I rock.

Regardless of whether or not the producers think that there are five other people waiting for the job, the one that is there needs to be treated as if they are the only person for the job in that moment.

I feel like if you are going to come to somebody who you don't even know on a worldwide platform, then your idiocy needs to be seen worldwide so it can get smacked down. And that's what just needs to happen with some people.