That freedom that Picasso afforded himself, to be an artist in a huge number of ways, seems to be a huge psychological liberation.

If one is talking about sculpture then scale and skin is everything.

You know that day after day of, Oh God what am I going to do with myself feeling? The fear of the emptiness that it implies keeps me going

I've always felt that if one was going to take seriously this vocation as an artist, you have to get beyond that decorative facade

One can hardly be Indian and not know that almost every accent, which hand you eat your food with, has some deeper symbolic truth, reality.

If sculpture can really deal with the body, because we all inhabit ourselves, and if sculpture can really do that, which it is supposed to be able to do, and through it ask questions, philosophical questions, about being, I think these are all things we work on, all of us in our different ways, so perhaps somewhere in there, there are moments where dumb objects can speak.

The eye is a very quick instrument, much quicker than the ear. The eye gets it immediately