I was born in the theatre. My father was a small time impresario on the West Coast and I was acting from the age of 7, but I started to write when I was 12 and by the time I was 14 I was making more money than I was acting.

When I was very young and first worked in Hollywood, the films had bred in me one sole ambition: to get away from them; to live inthe great world outside movies; to meet people who created their own situations through living them; who ad-libbed their own dialogue; whose jokes were not the contrivance of some gag writer.

That our popular art forms have become so obsessed with sex has turned the U.S.A into a nation of hobbledehoys; as if grown people don't have more vital concerns, such as taxes, inflation, dirty politics, earning a living, getting an education, or keeping out of jail.

Sometimes writers of no talent at all can write great acting scenes. Sometimes the very best writers can't write scenes that come to life.

A bit of conversational sex makes a pleasant climate for creative effort.

It's true that the French have a certain obsession with sex, but it's a particularly adult obsession. France is the thriftiest of all nations; to a Frenchman sex provides the most economical way to have fun. The French are a logical race.

Nobody can tell about this California climate. One minit its hot and the next minit its cold, so a person never knows what to hock.