My writer and I sat down and wrote a huge list of names of women to consider. It was really important to us to have a broad range of women from across generations and cultures. We didn't want to make it Western-focused, we wanted to make sure it was international and that it had an intersectional lens.

For me, if folks who are watching YouTube can pitch in a bit to help cover the cost for creating this work, that's great, but I don't want folks who can't helped to not have access to it. I really like the crowdfunding model in that regard.

The gaming industry has been male-dominated ever since its inception.

Ordinary Women was shot on a soundstage with a professional crew and a professional animation studio creating everything.

I really wanted to explore a range of women who aren't necessarily perfect, heroic women. I wanted to series to influence creative people to include more women in their work, especially historic works.

I got to focus on my performance - learning how to perform is something I've been working on both personally and professionally.

There is a clear difference between sexist parody and parody of sexism. Sexist parody encourages the players to mock and trivialize gender issues while parody of sexism disrupts the status quo and undermines regressive gender conventions.