In the time it takes for her to walk from the bathhouse at the seawall of Fortune's Rocks, where she has left her boots and has discreetly pulled off her stockings, to the waterline along which the sea continually licks the pink and silver sand, she learns about desire.

Odd, she thought, how intensely you knew a person, or thought you did, when you were in love - soaked, drenched in love - only to discover later that perhaps you didn't know that person quite as well as you had imagined. Or weren't quite as well known as you had hoped to be. In the beginning, a lover drank in every word and gesture and then tried to hold on to that intensity for as long as possible. But inevitable, if two people were together long enough, that intensity had to wane.

Sydney discovers that she minds the loss of her mourning. When she grieved, she felt herself to be intimately connected to Daniel. But with each passing day, he floats away from her. When she thinks about him now, it is more as a lost possibility than as a man. She has forgotten his breath, his musculature.

That I have no right to be jealous is irrelevant. It is a human passion: the sick, white underbelly of love.

Love is not simply the sum of sweet greetings and wrenching partings and kisses and embraces, but is made up more of the memory of what has happened and the imagining of what is to come.

Good luck, I'm beginning to discover, is just as baffling as the bad. There never seems to be a reason for it - no sense of reward or punishment. It simply is - the most incomprehensible idea of all.

A person walks into a room and says hello, and your life takes a course for which you are not prepared. It's a tiny moment (almost-but not quite-unremarkable), the beginning of a hundred thousand tiny moments and some larger ones.